Although if you really want to make a splash, bite the tail off first if there is one. A lot of chocolate rabbits don’t have a very prominent tail in my experience. I even wish that people had given me some pesos or rubles or maybe some gasoline or something instead of bags of candy for easter, but so it goes.
By the way, what do you think “javimetal” is? Good thing I’m not trying to make anything off of this I guess.
So recently enough I read the book Succubus Blues by the american author Richelle Mead which is apparently the first book in a prospective series about, can you guess, a succubus. For those not in the know a succubus is basically a european (“succubus” are abrahamic I think but the concept is universal) female sex demon, according to lore their main traits are changing their form and absorbing the life energy of humans (generally males) through physical/sexual contact. For the most part the idea is that they tempt men, usually catholic priests (back then pederasty was a sign of class), with promises of carnal sin in order to either simply get them to fall or to outright sell their souls to satan. Further according to some apocryphal interpretations Adam’s first wife was Lilith and she went on to be (or just was) the original succubus, and for that reason succubi (the plural) are referred to as “the daughter’s of lilith”. I think that’s actually just supposed to be a metaphor since for the most part succubus are supposed to be formerly human women (as opposed to fallen angels like Satan and other lords of hell) but it’s usually taken literally or used symbolically in fiction. I only mention the Lilith bit since she had a cameo in this book. She’s pretty popular in fiction actually, had a major role in two books of Piers Anthony’s “Incarnations of Immortality” series, probably much more so than Eve, but after all men can’t get enough of women like that. But perhaps Lilith is somewhat of a sympathetic character… well leave that for another time. By the way the male counterpart to the succubus is the Incubus but I don’t know a lot about the mythology there. Perhaps most recently well known because of the (metal? emo? screamo?) band by the same name who I can’t think of a single song by though I’m sure I’ve heard them on various occasions.
So anyway I would describe the book as a “thriller” as it had elements of suspense, mystery, action, maybe horror (nothing in the book scared me in the least but it did have demons and vampires), and romance. All in all I thought the book was pretty fair but I wasn’t very sympathetic of the main character. Mostly because she was a moron who bumbled her way through the events of the book and entered into Satan’s service without much hesitation or thought to the consequences. She of course went about her succubus duties with great trepidation but didn’t bother to try and find a way out or around things. In the end she was a sort of “hooker with a heart of gold” character, it was kind of a joke. I think that she was written pretty realistically from the standpoint of a young woman with a lot of issues, but I’m not sure how much I believed her as a hundreds of years old (or was it a thousand+? I’m not much up on my ancient history or memory) reluctant servant of satan. The hierarchy and motivations of the various forces of evil and good were also very quesitonable, it was like they just weren’t even trying. Probably the real problem was how oblivious to things the main character was, when it came down to it she realized she had no idea what was going on, but the question is why she never realized before? Perhaps apathy, I don’t know.
But logistics aside, I rather enjoyed the book actually. Having mentioned Piers Anthony’s Incarnations of Immortality series it rather reminded me of that somewhat, the clearly defined yet no less ambiguous position that the protagonist was in most of all. I think that the book could have used more incidental prominent characters since I saw the villain coming like a MACK truck but to be fair things advanced consistently. There was a beginning, there weren’t too many flashbacks for a series about immortals (most such series are dominated almost entirely by flashbacks), there was a middle, there was a climax, there was a resolution which left plenty of room to franchise. In other words it was a proper book. Having just read “the demon and the city” by Liz Williams I couldn’t help thinking of how much smoother this book (which had a single narrative thread) went compared to that one (which was written from multiple perspectives), also better. My main criticism of that book was that the author had a great character in the demon Zhu Irzh that she didn’t seem to know what to do with and instead the story ended out being dominated by the events that happened to a human woman. Richelle Mead did not make the mistake of trying to write a character she couldn’t relate to and if nothing else her protagonist, I hesitate to say heroine, Georgina was consistent. Which is important.
In fact this is a matter for another time but I feel like plot twists, especially twist endings, are betrayals of the reader. You tell a story and neglect to give out the crucial details to explain things or indicate what is going on until after things happened. This is of course the way life usually works, you end out reacting to things a lot more than just acting to make things happen, but it’s not the way that stories have to work. So of course plot twists are valuable writing tools, I just think that they get abused a bit too much. The classic example of the most annoying and overused twist ending is the “it was all a dream” one. Crazy shit happens, maybe everybody dies, and then the protagonist wakes up. The work I felt most betrayed by recently was the anime series Higurashi no naku koro ni Kai (note the kai) which in the first series (~ – the kai at the end) was really intense and then by the last story arc in the second series basically took everything back. To me it felt like the result of bad planning and guilty writing but those also are other topics.
So this is a shitty review with lots of distractions but, in the end even though Succubus Blues ended out fairly implausible at crucial points (probably the main twist of the story was an outright unfillable plot hole, which I would spoil by revealing, everything else was pretty much indicated and explained otherwise or at least somewhat plausible by being in line with the other actions of characters) and also fell back a bit to the old “I’m writing a story about divine characters so it’s OK to have divine intervention and not reveal how things work until after the fact” routine (which is not improper, if anything it’s the one time such things makessense, just a bit tedious) to disguise “deus ex machina” I enjoyed the story and I look forward to the chance to read the series as it’s ongoing. I believe the second book is available and the third is entering the final stages of editing. I do not however look forward to the angst promised by Georgina’s touch and go (almost more like run) relationships and self-pity but if that’s part of the package I can put up with it.